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Creator

 

—  composer, arranger  —

Below are a selection of compositions, arrangements and collaborations that have taken place across the last 10 years

 
 

—  The Dark Heal —
artist in residence at Europe’s largest biomedical campus, working on a sound & digital media project to compose a soundscape reflecting what COVID-19 has been like for the c.25,000 people working and living on site, drawn on submissions from people related to the campus. The project culminates in a live performance on Friday May 20th, which will be streamed live in full ambisonic (3d) sound in total darkness.
2021-22

—  We Are Sound —
arranging over 200 songs for 4-24 part choirs, exploring diverse artists including The National, The Divine Comedy, Goldfrapp, Beatenberg, Katzenjammer, Aviici, Gotan Project, Efterklang, Little Axe, Imogen Heap, Simian Mobile Disco, Sigur Ros, Elbow, The Wilderness of Manitoba, Darlingside, the Guillemots and more
2010-2022

—  Film Soundtrack, Magpie —
composer for the single (The Fall) for Magpie, the movie - a haunting piano / voice track to close the film; also composer & arranger of the film soundtrack, working closely with director Paul Cook
2018

—  Collaboration / electro dub ‘high-wizard’ Dirty Freud —
an original track created in collaboration with DJ Dirty Freud, recorded in a 15th century chapel
2017

—  Collaboration / global band Basement Jaxx  —
having heard We Are Sound cover one of their tracks, the band asked the collective to be the first contributor towards their ‘power to the people’ project, sending a film crew to film & record an arrangement of their track in full character costume in the contrasting surroundings of the world famous Cambridge Union debating chamber
2014

—  Collaboration / folk artists Megson  —
an arrangement of a Megson track, performed with the band in the Apex concert hall in Suffolk
2014

—  Collaboration / folk artist Boo Hewerdine  —
having seen We Are Sound live in Ely Cathedral, Boo wrote a song for the collective, which was performed jointly at the region’s largest venue, the Cambridge Corn Exchange
2013

—  Setting of a poem by Wendell Berry  —
created for the We Are Sound premier in Ely Cathedral, recorded live
2013